Quick Edits is a short feature where I give quick editing advice on how to handle common problems in fiction writing.
Distancing is when you are using 3rd person limited or 1st person point of view and then use language, usually in descriptions, that distances the reader from that POV. Here’s an example:
She watched Thomas get out of the car.
If we are firmly in our character’s POV, we don’t need to be told that she’s watching. All we need is:
Thomas got out of the car.
We will know she watched that happen, because if we’re in her head and she didn’t watch him getting out of the car, we wouldn’t even get the action at all.
As he closed the car door, he felt the chill of the metal on his palm.
As he closed the car door, the metal chilled his palm.
The first sentence is the author telling the reader what the character is feeling. Do you notice how we are pulled out of the character’s head? It puts a degree of separation between the reader and the character that you, as the author, may not want. In the second sentence, we are invited to experience the feeling along with the character, which, in my experience as reader and a writer, is infinitely preferable.
Words you can search your manuscript for that might identify distancing sentences:
There are others, but that is a start. Now, of course, not every instance of these words will need to be removed, but they should each be evaluated individually. Push yourself to think outside the box, to think about how a sentence can be phrased differently.
Pulling these words out of your writing encourages you to create better, more vivid and interesting sentences. This will make you a better writer.
And isn’t that the point? 🙂
Are there any editing issues you run into that you’d like covered in the Quick Edits series? Drop a comment below!
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