Critique groups can be a big leg-up for authors as far as polishing their work before either sending it out on submission or self-publishing it. If you haven’t found a critique group that works for you, consider creating one. I’ve got a few things to keep in mind when creating or looking for a critique group that might help you with getting some compatible folks in your group.
Critique Group or Beta Readers?
Some people don’t realize there is a difference between a critique partner and a beta reader. The main difference is writing.
Critique partners are other writers.
Betas are readers.
It’s worthwhile to have both reviewing your story. They will bring different things to the table.
Writers should bring more of the professional view — how to improve craft issues, such as writing dialogue or description. Readers will bring a more general, consumer-focused view — such as whether the story is interesting, where they lose interest, if the characters are engaging.
Knowing what you’re looking for will help you decide which to utilize at each point in your writing process. I wrote a post a while back about things to think about when picking beta readers.
The first step to finding or creating a critique group is to figure out where the writers are. Meetup is a decent place to find local writers. There might already be critique groups or just general writing support groups. You can find other writers to talk to there about creating your own group.
You can also look for writing organizations in your area. Go to Google and search “writing organizations” <your city>. Attend some of their meetings, schmooze with other authors, and find folks you mesh with (more on that below!).
Also check out the national organizations for genres — RWA, SFWA, MWA, HWA, etc. They often have local or regional chapters where writers congregate.
Finally, you can find a lot of critique services online. Groups like Critters and Critique Circle have been around for years and have established a good base of writers who critique each other.
Choose Your Partners
Sometimes writers who are looking for ongoing critique partners assume that the criteria for choosing should be something like “writes in my genre” or “reads in my genre.” And while this can be helpful, there’s actually a more accurate thing to gauge whether someone will be a useful critique partner. That thing is: do we have similar writing goals?
Someone who is writing only for themselves or their family will not be as helpful a critique partner for someone who is aspiring to become published professionally. If everyone in the critique group is on a similar path, then the comments and suggestions they give will be aimed more at getting your work up to snuff for publication.
This doesn’t mean that someone who is just writing for themselves or family can’t give good contributions, of course. But we’re talking about getting the most bang for your buck. And in this case, you’re going to get better feedback from someone who is on a path parallel to your own.
Something else to consider is which time zones you’re each in. Obviously, if you’ve got local writers in your group, that’s not an issue. But if you find folks online that you mesh with, goals-wise, then time zone becomes important. It’s not easy to get together for meetings with someone who’s 8 hours different in time. Someone will be getting up really early or staying up really late.
And finally, also think about work ethic. Does your potential partner write regularly? Are they focused on their writing as a career or business? This goes back to finding someone who has a similar outlook. If you’re putting out 25 pages in a week and they’re only doing 5 (or vice versa), then there’s going to be a work mis-match.
Discuss & Organize
Will you have your critique sessions in person or online? Or maybe on the phone?
When you get together, will you be getting together for a writing session or to critique each other’s work?
If critique, will you have critiqued the work beforehand and discuss in person, or will the work be read there at the session, then discussed?
These are things to think about when organizing your sessions. Set the rules as the leader or have an open discussion and set the rules as a group. However it’s accomplished, everyone should be on the same page as to expectations, so that all feel included and feel as if they’re both giving and getting something of value from the group.
Once you’ve got your group going, everyone should be consistent with their work. Certainly, life happens and some weeks will be more or less productive than others. But consistency is about showing up — both literally and figuratively. Agreeing to be in a critique group is a commitment. Everyone should honor that commitment.
Give to the sessions what you want to get from the sessions. It’s the old adage of “you reap what you sow.” All members of the critique group should put in the amount of effort they’re looking to receive.
Having a critique group can be a great support for any writer. Hopefully, this post has given some insights into how to find those members of your tribe! 🙂
Do you have a critique group? How did it get together? What challenges have you faced with your group? What are the strong points of having a group?
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